London School of Economics
London, 15 February 2006<\/p>\n\n\n\n
Ladies and Gentlemen, As Commissioner responsible for culture amongst other things, I imagine I bet you can find as many definitions of European culture as there are Of course, you contribute to Europe’s culture regardless of where you or There are the Europeans we recognise and those we might not. Andy The answer, for me, is clearly yes. Just as Slovak culture is European.<\/p>\n\n\n\n But can British culture be European if the British don’t see<\/strong> themselves as According to a recent Eurobarometer poll, only one third of people in the Ladies and Gentlemen:<\/p>\n\n\n\n If — according to the Chancellor — knowing what being British means is In the current debate on Britishness, it needs saying that you can, for Being European — like being British — cannot be defined by ethnicity or So it seems to me that Mr Brown is right to say the UK has always been This ties in with what political scientist, Professor David Held of this And he identified Europe’s values as “la volont\u00e9 de conscience” and “la The Chancellor cites three: liberty<\/strong>, fairness <\/strong>and responsibility<\/strong>.<\/p>\n\n\n\n The conservative leader’s definition is more concise: he sums them up Freedom is something we are all in favour of. But what does it mean in Perhaps because I come from a small nation in Central Europe that was Europeans have always exchanged ideas across borders. I think of the Freedom, fairness and responsibility form part of a common core of Viewed from my perspective, Britain has played a key role in Europe’s The UK can do much more to strengthen the Union by throwing itself Ladies and Gentlemen We need a European press and media that are less focused on narrow London School of EconomicsLondon, 15 February 2006 Ladies and Gentlemen,My thanks to the organisers and my warmest greetings to all of you heretoday.It is a privilege and a pleasure to come and speak here in this worldrenowned institute.It is always a pleasure to be back in London. London is more than acapital. It is a […]<\/p>","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[338],"tags":[251],"class_list":["post-18508","post","type-post","status-publish","format-standard","hentry","category-en","tag-culture"],"yoast_head":"\n
My thanks to the organisers and my warmest greetings to all of you here
today.
It is a privilege and a pleasure to come and speak here in this world
renowned institute.
It is always a pleasure to be back in London. London is more than a
capital. It is a world city, a cosmopolis teeming with people from all over
Europe and all over the world. And the audience in this lecture theatre
reflects that diversity of backgrounds and origins.
So this is a good place, ladies and gentlemen, to ask the question before
for us today: Is there a European culture?<\/strong>“<\/p>\n\n\n\n
you expect an answer from me on that.
I hope I won’t disappoint you. My first instinct is to say: no, there is not
just one<\/strong> European culture.
At first sight, there is a vast mass of disparate manifestations that are
vaguely cultural and loosely European. A mixed bag of customs and
popular traditions, great treasures of art and intellectual works. A vast
repertoire of dance and music and song. A catalogue of grand palaces,
historic sites and quaint villages. A multitude of ways of life and world
views.
Can we really put that hotchpotch, that glorious diversity, all those
brilliant artistic achievements, under the same hat and call it a European
culture? Without any underlying principle or unifying concept?<\/p>\n\n\n\n
people in this room.
Because culture is also to do with identity — with how you think of
yourself and your neighbours, those you feel at ease with and those you
perhaps don’t understand. And what you want to do together within a
particular context.
From this point of view our European culture was and is substantially
inspired by the ancient Greek philosophy and the Roman law of nations,
by religious traditions and heritage, by the humanist inheritance of the
Enlightenment.
So we have to ask in what meaningful way we can speak of a European
culture.
One broadly accepted view is to do with cultural icons — those great
European artists and painters, writers and musicians who spring to mind.
The further back in history the better because they’re less controversial.
Mozart — because this year is the 250th anniversary of his birth.
Shakespeare — because we’re in England. Figures who’ve had an impact
across Europe and are recognised around the world.
Those universal spirits and their works belong to us all — when we raise
our horizons above the narrow confines of our nation states.
We probably all agree on this sense of “European culture” that
celebrates the legacy of our shared cultural past. The further removed
from us in time, the more universally accepted.
But looking at European culture only in that sense disconnects it from
today’s world and makes it backward-looking.
There is also, of course, a more contemporary heritage that is closer to
our day. Art nouveau, art deco and surrealism, for example. The Beatles
because we all love the music of the sixties. Antonioni’s “Blow-up”
because we’re here in London. And then there is that vast cultural
repertoire that consists of the television programmes of recent decades.
The cultural influence of the BBC is a case in point.<\/p>\n\n\n\n
your parents were born — like Polish-born Joseph Conrad or Karen
Blixen. Or even those writers born further afield — like Michael Ondaatje
or Salman Rushdie or Kazuo Ishiguro. They may have been born in Sri
Lanka or India or Japan but they are all foremost English literary figures.<\/p>\n\n\n\n
Warhol used to say he came “from nowhere”. I like to think of him as a
sort of honorary cultural icon of Slovakia where his parents were born.
So I would say then, that there are cultural elements that we could
broadly recognise as European, but that it is very difficult to define what
they might have in common. Rather like an elephant in a way: it\u2019s easier
to recognise one than to define it.
But – since we are in London \u2013 let us ask a different question for a
moment: Is British culture European?<\/em><\/p>\n\n\n\n
European?<\/p>\n\n\n\n
UK feel both<\/em><\/strong> British and<\/em><\/strong> European, while two thirds think of themselves
as being just British.<\/p>\n\n\n\n
A fascinating debate about Britishness has taken place in this country
recently.
I would like to say a few words about it because it links beautifully with
the question we are debating today.
In doing so, I will refer to the positions taken by Gordon Brown and David
Cameron
One of the paradoxes about Britain — exemplified by its capital — is its
openness to other cultures and influences whilst at the same time
retaining a stubborn suspicion towards \u201cBrussels\u201d.
It may therefore come as a surprise to some of you that one of the most
frequent criticisms levelled at the Commission today is that it has
become too \u201cAnglo-Saxon\u201d, or too British! In terms of the working
language, the political culture, liberal economic policy and so on.
But let\u2019s leave that aside for the moment.<\/p>\n\n\n\n
essential to determining Britain’s relationships with Europe, America and
the rest of the world, then knowing to what extent the British are also
European is also important
But where I am surprised by the Britishness debate is the way this issue
of being European seems absent.<\/p>\n\n\n\n
example, be Welsh and<\/em><\/strong> British and<\/em><\/strong> European too. Which is something
Neil Kinnock said to me when I saw him this morning.<\/p>\n\n\n\n
religion.
Europe is all about multilayered loyalties — the national and European
overlying and interlocking with the local and the regional.<\/p>\n\n\n\n
“a country of plural identities”: today, for example, you can be a Christian
or a Muslim or a Hindu or an atheist and<\/em><\/strong> British. And the same is true at
the European level.<\/p>\n\n\n\n
august institution, refers to as \u201ccosmopolitan democracy\u201d: the possibility
of identity and therefore governance being plural and fluid over time.
It is important to say that here in London after last year’s terrorist attacks.
I want to say how much I admire the way Londoners have remained true
to the values we all share of tolerance and the rule of law. Particularly in
the face of the fanaticism and intolerance that inspired those attacks.
Oswald Spengler believed that cultures were partitioned off from each
other and cultural values are incommunicable. But I doubt anyone would
go along with that. Even if there are fundamental differences, many
would agree that one of Europe\u2019s great contributions to humanity has
been in enshrining the democratic fora through which such differences
are debated and mediated.
The real challenge of globalisation is to allow the cultures of today’s
world to interrelate and exchange ideas without descending into some
“clash of civilisations” that would be disastrous for all.
Now, this brings me to the central point of my lecture, namely that the
idea of values is central to any conception of culture.
Andr\u00e9 Malraux defined culture<\/strong> as “l\u2019incarnation d\u2019un syst\u00e8me de valeurs — et plus modestement : un accord des sensibilit\u00e9s” — as embodying a
system of values within which we feel at ease and allowing us to
communicate with each other.<\/p>\n\n\n\n
volont\u00e9 de d\u00e9couverte” — awareness of one’s own identity combined with
a desire to discover, create, invent. Being open to what is new while
remaining aware of where we come from.
Such a system of shared values allows a community to debate the
issues facing it.
Backed up by the historical references that give it depth, it allows us to
engage with each other on fundamental social and political issues.
Like Malraux, both Gordon Brown and David Cameron see culture as
being based on a set of values.
I am convinced the values they identify are broadly the same as the ones
I’d pick.
Indeed, Gordon Brown admits that the ideas he highlights are not unique
to the British culture, even if they do lie at the heart of modern
Britishness.
Just what are those values?<\/p>\n\n\n\n
as freedom under the rule of law.<\/strong><\/p>\n\n\n\n
concrete terms?
Unlike an elephant, freedom might be one of those things that is easier
to define when you don\u2019t have it.
I grew up in a part of Europe where freedom was something we could
only dream about — freedom to travel, freedom to express dissenting
political views, freedom to vote against the party in power.
The golden thread of liberty runs through the history of all of Europe.
“Libertas” is the motto of the city of Bologna chose in 1376 after it
became a free municipality. And Bologna adopted the first law abolishing
slavery in 1256 — over five centuries before William Wilberforce was
born. Moreover, Bologna University \u2013 symbol of our pan-European
higher education reform process \u2013 was established in 1088!<\/p>\n\n\n\n
once part of the multi-national Austro-Hungarian empire, a nation that
was more recently part of a duo of nations within Czechoslovakia, I am
acutely aware of how the national histories of our nations are tailored to
underpin and justify certain political structures. In other words, tailored to
emphasise and give credence to a certain political notion of cultural
identity.
That was all too clear in my nation’s not-so-distant past when Europe
was divided by the Iron Curtain.
That is why I am convinced our pupils need to learn not only more about
history but should do so critically too, placing the development of their
own cultural identity in a wider context. \u2013 That means, amongst other
things, more European history \u2013 a history that cuts across the nation
states and traces the overall development of politics and thought in our
continent.
The history of Europe — not that of the individual nations, however
ancient and deep their roots may be, however natural and God-given
their borders may seem.
Focusing on national history means our peoples are steeped in their
particular brand of national identity, an identity which emphasises
differences with its neighbours and overlooks what is commonly held. A
narrow world-view that excludes and denies the positive influence of
intercultural exchanges, the fertile impact of cross-cultural contact that
nurtures artistic and intellectual life.<\/p>\n\n\n\n
academics, intellectuals and men and women of the Church who
travelled around Europe in the Middle Ages and the Renaissance. John
the Scot in Ireland, France and England, Thomas Aquinas in Naples and
Paris, Duns Scotus in Oxford, Paris and Cologne, Erasmus in Paris,
Leuven, Brussels, England and Basel.
Today’s Erasmus programme takes up and amplifies that tradition. I am
very proud of its success in carrying forward a certain idea of European
culture in the field of education.
Despite Europe’s cultural diversity \u2013 and that is something to celebrate
and enjoy, by the way – what is remarkable is the way our different
nations’ paths have converged on a way of life based on values we all
share.<\/p>\n\n\n\n
values all European Union nations hold dear. They are vital to our
European way of life — based on parliamentary democracy, the rule of
law, freedom of opinion and of faith, a free press, and a broadly cohesive
European social model.
Having lived through the Velvet Revolution, the independence of
Slovakia and the transition to democracy and the market economy, I can
vouch for the power of those values in fostering reforms.
Those values are not unique to the European Union. And European
countries have not always been first to apply them.
The first country to give women the vote was New Zealand. In
Czechoslovakia it was 1918, while women in Britain had to wait until
1928 to vote at the same age as men.
But those values are now accepted by all and they form part of our
minimum criteria for membership. They lie at the heart of our political
project.
Whatever the special emphasis different European nations may place on
them, those values form the basis of European culture as they do of
British culture. And for this reason, I believe one can say that British
culture is European.
Yet the British often seem unsure about whether they are in Europe or
not.
Seen from afar, from across the Atlantic, from Shanghai or Bombay,
Europe exists and this country is definitely part of it. Not just
geographically, but also its history and its culture.<\/p>\n\n\n\n
history. Down the centuries it has shouldered its responsibilities. It has
shown leadership and foresight and Europe is the better for it.
I think it follows from everything I have said that it would be a tragedy —
for Europe and for Britain — if this country were to retreat back to these
islands and withdraw culturally and politically.
The British are curiously ambivalent about their place in Europe.
Yet the UK plays a leading role within the European Union. It pushed for
the Single Market and helped turn Europe into the world’s biggest market
in terms of GDP.<\/p>\n\n\n\n
wholeheartedly into the debate on our political future.
It can help Europe by embracing the European political project and
strengthening the Union internally and externally.
It can help to ensure Europe’s voice is heard on the world’s stage by
pushing resolutely for a stronger common foreign and security policy.
This would help to foster our values in the wider world. It would help to
forestall threats to our security — from nuclear proliferation and terrorism
to people-trafficking and drug-smuggling. Threats to the environment. To
public and animal health. To our energy supplies.
Remember Churchill also used to say he was 50% American — by his
mother — and 100% British. So it must be possible to be 100% British
and a little bit European as well!<\/p>\n\n\n\n
I do not see the task of the European Commissioner for Culture as trying
to create some kind of artificial European identity. Nor do I see it as
promoting some kind of \u201cEuro-pudding\u201d notion of a common culture. But I
do see one of my tasks as promoting awareness of what we have in
common: awareness of how our common values, despite all our
wonderful and refreshing diversity, give us a basis for acting together.
Take the Unesco Convention on Cultural Diversity — an excellent
example of the capacity of the Member States to work together jointly
with the Community to promote the diversity of cultural expressions at
international level.
This is why the EU has a Culture Programme. To show that there is a
European culture that is meaningful in today’s world, drawing on our
shared cultural and historical references, rooted in our values.
I have to say that awareness of such a European culture is still inchoate
and weak. It needs to be nurtured and encouraged.
This event here today is just such an example. And I want to thank the
European Institute here at the LSE again for their excellent work in
promoting discussion on issues of European concern.
But we need much more discussion like this across Europe.<\/p>\n\n\n\n
parish-pump politics and more on what is happening at EU level. I would
be the first to admit that the Commission has to try still harder to get its
message across — and we are working on that — but it would help
enormously if we had a press that would be less frequently successful in
misinterpreting the Commission’s proposals and actions.
But that\u2019s enough complaining!
In closing, I would like to add one more thought. I have argued today that
it is possible to talk about something called a European Culture and that,
ultimately, it is based on shared values. Such as freedom, fairness,
responsibility, solidarity and tolerance.
I would argue further that these values cannot \u2013 and should not – be
geographically defined or limited or that they are uniquely European.
Their manifestations are also fluid and evolving. To put it very simply, a
European culture based on these common values cannot be exclusive
and cannot define itself in opposition to \u201cother\u201d cultures.
For this reason, one of my first actions when I took office was to propose
that there should be a European Year of Intercultural Dialogue: dialogue
not just between Member States, but dialogue between all the
communities that live on this varied continent, as well as with those
around it. I am happy to say that my proposal was taken up by the
Commission, and 2008 will, hopefully, be designated as the year by the
EU Member States and the European Parliament.
Indeed, it is in that very quality of dialogue that I believe a European
culture manifests itself most clearly.
Thank you for your attention.<\/p>","protected":false},"excerpt":{"rendered":"